[PDF.24zl] Automata and Mimesis on the Stage of Theatre History
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Automata and Mimesis on the Stage of Theatre History
K. Reilly
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| #989909 in eBooks | 2011-08-26 | 2011-08-26 | File type: PDF||0 of 2 people found the following review helpful.| Automata, in relations to Aesthetics, and Society|By Matthew Simon|I enjoyed this book very much. My primary interest was the relationship between early opera, music, and dance, and stage design such as found in the Drottningholm Palace theatre in which perspective (Brunelleschi) became significant, as well as use of automated lighting, etc. Kara Reilly fails to define exactly|About the Author|KARA REILLY is a Lecturer at the University of Birmingham, UK. She is a theatre historian, theorist and dramaturg. Her work has appeared in New Theatre Quarterly, American Drama, Theatre Journal and Contemporary Theatre . This is her first book
The automaton, known today as the robot, can be seen as a metaphor for the historical period in which it is explored. Chapters include examinations of Iconoclasm's fear that art might surpass nature, the Cartesian mind/body divide, automata as objects of courtly desire, the uncanny Olympia, and the revolutionary Robots in post-WWI drama.
You can specify the type of files you want, for your gadget.Automata and Mimesis on the Stage of Theatre History | K. Reilly. I really enjoyed this book and have already told so many people about it!