[PDF.70xm] The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Theater: Theory/Text/Performance)
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The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Theater: Theory/Text/Performance)
Douglas A. Jones
[PDF.ge30] The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Theater: Theory/Text/Performance)
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"The Captive Stage makes a substantive and exciting contribution to the growing body of literature examining performances of race, slavery, and citizenship in nineteenth-century American culture."|—Heather Nathans, Tufts University
In The Captive Stage, Douglas A. Jones, Jr. argues that proslavery ideology remained the dominant mode of racial thought in the antebellum north, even though chattel slavery had virtually disappeared from the region by the turn of the nineteenth century—and that northerners cultivated their proslavery imagination most forcefully in their performance practices. Jones explores how multiple constituencies, ranging from early national artisans and Jack...
You easily download any file type for your device.The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Theater: Theory/Text/Performance) | Douglas A. Jones. Which are the reasons I like to read books. Great story by a great author.
